Volume 37 • 2009

Contents

Editorial – Michael Fjeldsøe & Thomas Holme Hansen

Viewpoint – Music and Musicking in the Digital Age – Steen Kaargaard Nielsen

Articles
Prenez sur moi vostre exemple: The ‘clefless’ notation or the use of fa-clefs in chansons of the fifteenth century by Binchois, Barbingant, Ockeghem and Josquin – Peter Woetmann Christoffersen

Mozart, Luigi Bassi, and ‘Fin ch’han dal vino’ – Magnus Tessing Schneider

Beep Beats of Banking and other Money Music. On the appearances of music in a selection of Danish TV commercials for financial products – Nicolai Jørgensgaard Graakjær

Reports
Research Projects
Jazz – a Cosmopolitan Vernacular: National and Transnational -Narratives of Identity and Tradition – Anne Dvinge
A Cognitive Theory of Musical Tension – Jens Hjortkjær
Articulating Space – on the Interplay between Polyphonic Music and Gothic Architecture – Astrid Bryder Steffensen
Voices in Phonographic Space – a Theory about Vocal Staging in Modern Popular Music Recordings – Mads Walther-Hansen
Danish Centre for Music Publication – Niels Krabbe
Center for Songs and Ballads – Peter E. Nissen

Conferences
Medieval and Renaissance Music Conference, Utrecht, 2009 – Thomas Holme Hansen
6th International Conference on Music since 1900, Keele University, July 2009 – Steen Kaargaard Nielsen
IAML/IMS Conference, Amsterdam, July 2009 – Niels Krabbe
15th Biennial IASPM International Conference: Popular Music Worlds, Popular Music Histories, Liverpool, July 2009 – Mads Krogh
6th Nordic Music Therapy Conference: Sounding Relationships, Aalborg, 2009 – Inge Nygaard Pedersen and Lars Ole Bonde

Danish Musicological Society, 2009 – Anne Ørbæk Jensen

Reviews
Ritus et Artes, vol. 1 (Medieval Ritual and Early Modern Music), vol. 2 (Creations. Medieval Rituals, the Arts, and the Concept of Creation), vol. 3 (The Medieval Cathedral of Trondheim), vol. 4 (Negotiating Heritage. Memories of the Middle Ages) – Linda Maria Koldau
David Fallows, Josquin – Peter Woetmann Christoffersen
Peter Ryom, J.S. Bachs Kirkekantater – Knud Svendsen
Henrik Nebelong, Richard Wagner. Liv – værk – politik – Erik Steinskog
Mogens Andersen, Historien om vor tids musik, ed. Finn Gravesen and Agneta Mei Hytten – Michael Fjeldsøe
Peter Kivy, Antithetical Arts. On the Ancient Quarrel Between Literature and Music – Søren Møller Sørensen
Birgitte Stougaard Pedersen, Lyd, litteratur og musik: Gestus i kunstoplevelsen – Ulrik Schmidt
Lars Ole Bonde, Musik og menneske. Introduktion til musikpsykologi – Sven-Erik Holgersen
Iben Have, Lyt til tv. Underlægningsmusik i danske tv-dokumentarer – Anja Mølle Lindelof
Jacob Smith, Vocal Tracks. Performance and Sound Media – Ansa Lønstrup
Benjamin D. Koen (ed.), The Oxford Handbook of Medical Ethnomusicology – Tore Tvarnø Lind
Henning Urup, Dans i Danmark. Danseformerne ca. 1600 til 1950; Karen Vedel, En anden dans. Moderne scenedans i Danmark 1900-1975 – Mie Lotte Ajspur
Carl Nielsen Works, vol. II/12 (Piano and Organ Works), vols. III/2-3 (Cantatas 2-3), vols. III/4-7 (Songs), vol. IV/1 (Juvenilia et Addenda) – Michael Kube

Bibliography 2009 – Anne Ørbæk Jensen

Information
Publications received; Contributors to this issue; Guidelines for authors; Danish Musicological Society