Volume 35 • 2007

Contents

Editorial – Michael Fjeldsøe & Thomas Holme Hansen

Viewpoint – Digital Editing of Music – Time to Take a Stand
Axel Teich Geertinger and Bjarke Moe

Articles
(Un)Covering Hanns Eisler’s Hollywood Songbook
Andrea F. Bohlman and Philip V. Bohlman

“Wer heisst euch mit Fingern zeigen auf mich?” – Selbstreflexive Illusionsbrüche bei Hans Christian Andersen und Robert Schumann
René Michaelsen

‘And Incidentally, the Score is Quite Beautiful’ – Work conceptual reflections on the phonographic remediations of Max Steiner’s symphonic film score for Gone With the Wind (1939) as soundtrack album
Steen Kaargaard Nielsen

Reports
Research Projects
EMS: Two Music Cultures – One Institution. Swedish electro-acoustic music from 1965 to the late 1970s – Sanne Krogh Groth
Hip Hop Culture as Musical Practice: Analyses and Discussions – Mads Krogh
Skandinavische Symphonik im wilhelminischen Kaiserreich – Katharine Leiska
Transformations in Russian Popular Music of the Post-Soviet Era– Case study St Petersburg – David-Emil Wickström

Conferences
Zoltán Kodály Symposium, Copenhagen 2007 – Michael Fjeldsøe
Passagen – 18th Congress of the International Musicological Society (IMS), Zurich 2007 – Peter E. Nissen
Digital Editions. Perspectives for Editors and Users, University of Copenhagen, January 2008 – Niels Bo Foltmann
Music, Media & Emotions, University of Aarhus, October 2007 – Charlotte Rørdam Larsen & Iben Have
Sound Art, Auditory Culture, University of Copenhagen, 28–30 November 2007 – Steen Kaargaard Nielsen
Danish Musicological Society, 2007 – Thomas Holme Hansen

Reviews
Books
Musik og Psykologi, Psyke & Logos, 28/1 (2007), ed. Lars Ole Bonde – Nicolai Jørgensgaard Graakjær
Jens Henrik Koudal, Grev Rabens dagbog. Hverdagsliv i et adeligt miljø i 1700-tallet – Lisbeth Ahlgren Jensen
Henrik Glahn, Supplement til Salmemelodien i dansk tradition 1569–1973 – Henrik Palsmar
Harry R. Graversen, Peter E. Nissen, and Claus Røllum-Larsen (eds.) Efterklange af romantikken i dansk orgelmusik. Tre komponister og en repertoireundersøgelse – Mikael Garnæs
Nila Parly, Absolut Sang. Klang, køn og kvinderoller i Wagners værker – Ansa Lønstrup
Finn Egeland Hansen, Layers of Musical Meaning – Bengt Edlund
Anders Meng, Temporal Feature Integration for Music Organisation; Peter Ahrendt, Music Genre Classification Systems – A Computational Approach – Finn Egeland Hansen
Jens Westergaard Madsen, Kreativt klaverstudium – Svend Hvidtfelt Nielsen
Jane Mink Rossen and Uri Sharvit, A Fusion of Traditions: Liturgical Music in the Copenhagen Synagogue – Tore Tvarnø Lind
Fabian Holt, Genre in Popular Music – Franco Fabbri

Music
J.P.E. Hartmann, Liden Kirsten op. 44, ed. Inger Sørensen and Niels Krabbe; J.P.E. Hartmann, Vølvens Spaadom, op. 71, ed. Niels Krabbe – Michael Struck
F.L.Ae. Kunzen, Gesammelte Klavierwerke/Samlede klaverværker ed. Gorm Busk and Heinrich W. Schwab – Christopher Hogwood

Bibliography 2007 – Anne Ørbæk Jensen

Information
Publications received, Contributors to this issue, Guidelines for authors, Danish Musicological Society